Marxist Aesthetics: The foundations within everyday life for an emancipated consciousnessRoutledge, 13.05.2013 - 174 Seiten Originally published in 1984, this study deals with a number of influential figures in the European tradition of Marxist theories of aesthetics, ranging from Lukacs to Benjamin, through the Frankfurt School, to Brecht and the Althusserians. Pauline Johnson shows that, despite the great diversity in these theories about art, they all formulate a common problem, and she argues that an adequate response to this problem must be based on account of the practical foundations within the recipient's own experience for a changed consciousness. |
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... alienated consciousness. Of course, the field of Marxist aesthetics does not constitute a theoretical tradition which consistently provides various accounts of the practical basis within immediate experience for emancipated thinking. In ...
... alienated consciousness. Of course, the field of Marxist aesthetics does not constitute a theoretical tradition which consistently provides various accounts of the practical basis within immediate experience for emancipated thinking. In ...
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... alienated intellectuals to the failure of the proletarian revolutions after the First World War. The increased interest in the analysis of the place of art in society indicated the 'pessimistic retreat' of leftist intellectuals thereby ...
... alienated intellectuals to the failure of the proletarian revolutions after the First World War. The increased interest in the analysis of the place of art in society indicated the 'pessimistic retreat' of leftist intellectuals thereby ...
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... society. Heller's theory suggests that daily life in capitalism generates certain needs whose satisfaction requires the overcoming of an alienated social life. An aesthetic theory which successfully explains the emancipatory impact of.
... society. Heller's theory suggests that daily life in capitalism generates certain needs whose satisfaction requires the overcoming of an alienated social life. An aesthetic theory which successfully explains the emancipatory impact of.
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... alienated consciousness and the appropriateness of the response of the true perspective of the work of art. Heller emphasises that the mere existence of radical needs is obviously no guarantee but is only the motive for the realisation ...
... alienated consciousness and the appropriateness of the response of the true perspective of the work of art. Heller emphasises that the mere existence of radical needs is obviously no guarantee but is only the motive for the realisation ...
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... alienated, fetishistic present. History and Class Consciousness (1919–22) is not Lukács's first major work. In a number of influential writings, of which perhaps The Theory of the Novel (1917) and Soul and Form (1910) are the better ...
... alienated, fetishistic present. History and Class Consciousness (1919–22) is not Lukács's first major work. In a number of influential writings, of which perhaps The Theory of the Novel (1917) and Soul and Form (1910) are the better ...
Inhalt
Lukácss theory of realism | |
Die Eigenart des Aesthetischen The Specificity of the Aesthetic | |
Benjamin | |
Brecht | |
Adorno | |
Marcuse | |
Althusser on ideology | |
Macherey and Eagleton | |
Conclusion | |
Bibliography | |
Andere Ausgaben - Alle anzeigen
Marxist Aesthetics: The Foundations Within Everyday Life for an Emancipated ... Pauline Johnson Keine Leseprobe verfügbar - 2012 |
Marxist Aesthetics: The Foundations Within Everyday Life for an Emancipated ... Pauline Johnson Keine Leseprobe verfügbar - 2011 |
Häufige Begriffe und Wortgruppen
able Adorno aesthetic theories alienated Althusser Althusser’s theory Althusserian analysis antinomial appearance appropriate argues artistic reflection attitude audience basis Benjamin bourgeois bourgeoisie Brecht capacity capitalism capitalist capitalist society characteristic Class Consciousness class interests classical contemporary critical critique defetishising dialectical dynamics Eagleton effect enlightened consciousness epic theatre Eros and Civilization essay essential everyday thinking false consciousness fetishism fetishistic conception foundations Frankfurt School function his/her History and Class human essence humanistic Ibid immediacy immediate consciousness immediate experience individual Lenin’s theory literary literature Lukács’s Macherey Marcuse Marcuse’s Marx Marx’s Marxian Marxist aesthetics Marxist theories mémoire involontaire modern modernist literature nature notion objective particular political practical problem production progressive proletarian class proletariat radical needs realist reception recipient recipient’s reflection of reality reified relation scientific species consciousness specific structure struggle subjectivity subversive suggests theories of aesthetics theory of ideology theory of realism theory of reflection totalising perspective tradition Western Marxism work’s