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Books Bücher 1 - 10 von 39 in Colouring does not depend on where the Colours are put, but on where the lights and...
" Colouring does not depend on where the Colours are put, but on where the lights and darks are put, and all depends on Form or Outline. On where that is put; where that is wrong, the Colouring never can be right; and it is always wrong in Titian and Correggio,... "
The Family Library (Harper). - Seite 137
1846
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The Lives of the Most Eminent British Painters, Sculptors, and ..., Band 2

Allan Cunningham - 1830
...His first anxiety is about his colours. " Colouring," says this new lecturer on the ChiaroScurOj " does not depend on where the colours are put, but...never equal Raphael and Albert Durer, Michael Angelo and Julio Romano. Clearness and precision have been my chief objects in painting these pictures —...
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The Lives of the Most Eminent British Painters and Sculptors, Band 2

Allan Cunningham - 1833
...His first anxiety is about his colours. " Colouring," says this new lecturer on the ChiaroScuro, " does not depend on where the colours are put, but...shall never equal Raphael and Albert Durer, Michael Angela and Julio Romano, Clearness and precision have been my chief objects in painting these pictures...
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The Lives of the Most Eminent British Painters and Sculptors, Band 2

Allan Cunningham - 1831
...artists. His first anxiety is about Ms colours. " Colouring," says this new lecturer on the ChiaroScuro, " does not depend on where the colours are put, but on where the lights and darks are ,put, and all depend? on form or outline. Where that is wrong the colouring never can be right, and it is always...
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The Lives of the Most Eminent British Painters and Sculptors, Band 2

Allan Cunningham - 1859
...His first anxiety is about his colours. * Colouring," says this new lecturer on the Chiarofcuro, " does not depend on where the colours are put, but...never equal Raphael and Albert Durer, Michael Angelo dud Julio Romano. Clearness and precision have been my chief objects in painting these pictures. clear...
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Great English Painters

Allan Cunningham - 1886 - 311 Seiten
...artists. His first anxiety is about his colours. " Colouring," says this new lecturer on the Chiaro-scuro, "does not depend on where the colours are put, but...never equal Raphael and Albert Durer, Michael Angelo and Julio Romano. Clearness and precision have been my chief objects in painting these pictures —...
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The Letters of William Blake: Together with a Life

William Blake, Frederick Tatham - 1906 - 237 Seiten
...How should he, when he does not know how to draw a hand or foot, know hc/w to colour it ? Colouring does not depend on where the colours are put, but...darks are put, and all depends on form or outline, on where that is put ; where that is wrong the colouring never can be right." Fuseli was expected to...
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William Blake

Arthur Symons, Henry Crabb Robinson, Benjamin Heath Malkin, John Thomas Smith, Allan Cunningham - 1907 - 433 Seiten
...His first anxiety is about his colours. ' Colouring,' says this new lecturer on the Chiaroscuro, ' does not depend on where the colours are put, but...can be right, and it is always wrong in Titian and Corregio, Rubens and Rembrandt ; till we get rid of them we shall never equal Raphael and Albert Durer,...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 443 Seiten
...Colouring. How should he who does not know how to draw a hand or a foot know how to colour it Colouring does not depend on where the colours are put, but...darks are put, and all depends on Form or Outline — on where that is put Where that is wrong, colouring can never be right, and it is always wrong...
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William Blake

Arthur Symons, Henry Crabb Robinson, Benjamin Heath Malkin, John Thomas Smith, Allan Cunningham - 1907 - 433 Seiten
...Where that is wrong the colouring never can be right, and it is always wrong in Titian and Corregio, Rubens and Rembrandt ; till we get rid of them we...never equal Raphael and Albert Durer, Michael Angelo (~ and Julio Romano. Clearness and precision have I been my chief objects in painting these pictures...
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William Blake

Arthur Symons, Henry Crabb Robinson, Benjamin Heath Malkin, John Thomas Smith, Allan Cunningham - 1907 - 433 Seiten
...that is wrong the colouring never can be right, and it is always wrong in Titian and Corregio, Eubens and Rembrandt ; till we get rid of them we shall never equal Raphael and Albert Durer, Michael Angelo and Julio Romano. Clearness and precision have been my chief objects in painting these pictures —...
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