The Family Library (Harper)., Band 181846 |
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Seite 3
THE SECOND VOLUME . Page 54 124 156 184 208 • 223 LIVES OF EMINENT PAINTERS . BENJAMIN WEST . THE life. CONTENTS OF BENJAMIN WEST . WILLIAM BLAKE JAMES BARRY JOHN OPIE • • • • • GEORGE MORLAND EDWARD BIRD . HENDY FUSELI • • 414215.
THE SECOND VOLUME . Page 54 124 156 184 208 • 223 LIVES OF EMINENT PAINTERS . BENJAMIN WEST . THE life. CONTENTS OF BENJAMIN WEST . WILLIAM BLAKE JAMES BARRY JOHN OPIE • • • • • GEORGE MORLAND EDWARD BIRD . HENDY FUSELI • • 414215.
Seite 53
... with the feeling of a poet , awaken the scene into vivid life and heroic beauty ; but such mastery rarely waited upon the ambition of this amiable and upright man . E 2 JAMES BARRY . JAMES BARRY was born in Cork , WEST . 53.
... with the feeling of a poet , awaken the scene into vivid life and heroic beauty ; but such mastery rarely waited upon the ambition of this amiable and upright man . E 2 JAMES BARRY . JAMES BARRY was born in Cork , WEST . 53.
Seite 54
JAMES BARRY . JAMES BARRY was born in Cork , on the 11th of October , 1741. His mother's maiden name was Juliana Reorden ; her ancestors had lost large estates in the county Cork , through rebellions and revolutions ; " and his father ...
JAMES BARRY . JAMES BARRY was born in Cork , on the 11th of October , 1741. His mother's maiden name was Juliana Reorden ; her ancestors had lost large estates in the county Cork , through rebellions and revolutions ; " and his father ...
Seite 115
... James Barry of making digressions in his lectures , in which he abused members of the Aca- demy - the dead as well as the living ; of teaching the students habits of insubordination ... BARRY . 115 BENJAMIN WEST WILLIAM BLAKE JAMES BARRY.
... James Barry of making digressions in his lectures , in which he abused members of the Aca- demy - the dead as well as the living ; of teaching the students habits of insubordination ... BARRY . 115 BENJAMIN WEST WILLIAM BLAKE JAMES BARRY.
Seite 119
... Barry to be borne to his grave by hands that had never touched a pencil . James Barry said seriously of himself , " I am a pock - pitted , hard - featured little fellow . " He was in person under the middle size - the vicissitudes of ...
... Barry to be borne to his grave by hands that had never touched a pencil . James Barry said seriously of himself , " I am a pock - pitted , hard - featured little fellow . " He was in person under the middle size - the vicissitudes of ...
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admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Beliebte Passagen
Seite 126 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Seite 131 - Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!" So I sang the same again, While he wept with joy to hear. "Piper, sit thee down and write In a book that all may read.
Seite 150 - So the Lord blessed the latter end of Job more than the beginning...
Seite 125 - Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Seite 126 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart?
Seite 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Seite 141 - Colouring does not depend on where the Colours are put, but on where the lights and darks are put, and all depends on Form or Outline. On where that is put; where that is wrong, the Colouring never can be right; and it is always wrong in Titian and Correggio, Rubens and Rembrandt.
Seite 232 - Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Seite 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...
Seite 143 - Belvidere, and all the grand works of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The Artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern Heroes, on a smaller scale.