Parody and Festivity in Early Modern Art: Essays on Comedy as Social Vision

Cover
David R. Smith
Ashgate Publishing, Ltd., 2012 - 206 Seiten
Dwelling on the interconnections between parody and festivity as forms of inversion, the essays in this volume delve into the nature and the meanings of festive laughter as depicted in early modern art. Chapters deal most often with Northern Renaissance and Baroque art; themes include grobianism and the grotesque, scatology, popular proverbs with ironic twists, and a wide range of comic reversals, many hinging on ideas of the world upside down.
 

Inhalt

In Praise of Folly
11
Hunter RabbitsHares in Fifteenth and Sixteenthcentury
39
Truth in PaintingComedic Resolution in Bruegels
63
Parody Proverb and Paradox in Two Late Works
85
9
100
Baccio del Biancos Comic Drawings of Dwarfs
127
Jan van der Heydens Feast of Purim
143
General Bibliography
179
Index
203
Urheberrecht

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Autoren-Profil (2012)

David R. Smith holds a Ph. D. in electrical engineering from GWU, an M.S. in electrical engineering from the Georgia Institute of Technology, and a B.S. in physics from Randolph-Macon College. Smith is a professor at George Washington University (GWU) and a consultant for SAIC among other companies.

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