The Phoenix of the OperaiUniverse, 06.03.2007 - 224 Seiten The Phantom of the Opera had released the love of his life, Christine Daa, from his possession and retreated to his subterranean lair-to die. Young Meg Giry remained fascinated with her friend's captor, whom she would not permit to destroy himself. Through Meg's care the Phantom returns to life and makes his courageous savior his protge. But can the Phantom, hunted by Parisian authorities and Christine's husband, the dashing Count de Chagny, escape his criminal past? Can he forget his first beloved or will he continue to haunt Christine, as she does him? Will Meg, who hungers for his love, be able to heal his heart and make him her own? The Phoenix of the Opera explores the limits of redemption and the power of love, taking us into the tortured souls of its protagonists. It is a grand tale of despair, obsession, rekindled passion, and the power of love. |
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... thought him, he'd reek havoc on us all. He didn't cause any damage that couldn't be repaired. The slashed costume ... thought he was her angel, her angel of music. Although he hid behind the mirror in her room, behind the walls and ...
... thought the betrayal would surely kill him. In a final desperate attempt to reclaim his Christine, Erik stole onto the stage during the performance of his opera, Don Juan Triumphant, and sang his song of seduction. Before them all ...
... thought she was only try- ing to comfort us. Then I saw that we were immune to the tricks and accidents the Ghost worked, and Christine often benefited. That boy Patrice, who teased her mercilessly, one night when he made Christine cry ...
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Abschnitt 12 | 153 |
Abschnitt 13 | 182 |