Macbeth. King Lear. Romeo and Juliet. Hamlet. Othello. Titus Andronicus. PostscriptT. Cadell, 1833 |
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Seite 19
... character will amply atone for casual inelegancies , and the want of variety in the indi- vidual instance be compensated by the much greater variety obtained in the whole work , in consequence of adhering to the truth , instead of ...
... character will amply atone for casual inelegancies , and the want of variety in the indi- vidual instance be compensated by the much greater variety obtained in the whole work , in consequence of adhering to the truth , instead of ...
Seite 79
... character and taste , appears flat and insipid , on comparison with its bedecked substitute . The artist can only refer to the text , by which he is bound , to which he has closely adhered . The fate of the hero and heroine have been ...
... character and taste , appears flat and insipid , on comparison with its bedecked substitute . The artist can only refer to the text , by which he is bound , to which he has closely adhered . The fate of the hero and heroine have been ...
Seite 153
... character on the stage ; viz . - that all expression but that of ferocity is annihilated by the blackness of the complexion . The present Illustrations being in out- line , the objection of colour would not be perceived ; but the ...
... character on the stage ; viz . - that all expression but that of ferocity is annihilated by the blackness of the complexion . The present Illustrations being in out- line , the objection of colour would not be perceived ; but the ...
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... character ; so that each connected series of plates should develop a narrative , and that narrative be SHAKSPEARE . The different sets of designs commence with the repre- sentation of those situations whence the difficulties , or other ...
... character ; so that each connected series of plates should develop a narrative , and that narrative be SHAKSPEARE . The different sets of designs commence with the repre- sentation of those situations whence the difficulties , or other ...
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... character of the costume . the same principle , the nasal guard of the Danish helmet has been considered as sufficient to answer to the term of " beaver . " Beavers , used here for visors , were not worn at the time of HAMLET ; but the ...
... character of the costume . the same principle , the nasal guard of the Danish helmet has been considered as sufficient to answer to the term of " beaver . " Beavers , used here for visors , were not worn at the time of HAMLET ; but the ...
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Häufige Begriffe und Wortgruppen
AARON ACT V. S. Banquo Bianca Birnam blood brother Cadell Strand Cassio Cawdor child Chiron and Demetrius chosen emperor costume dagger daughter death Desdemona dost thou DRAWN AND ENGRAVED EDGAR EDMUND persuading EDWARD THE CONFESSOR ENGRAVED BY FRANK entreating eyes F Howard father fool FRANK HOWARD FRIAR FRIAR LAWRENCE ghost give Glamis Gloster Goths hail Hamlet handkerchief hath Heaven here's Howard King Lear husband IAGO KENT kingdom between GONERIL kiss Lady Macbeth LADY MACDUFF LAERT LAVINIA LEAR and CORDELIA lips London Published March London Published Sept lord Lucius lying dead MACB MARCUS MARTIUS and QUINTUS Mercutio murder of BASSIANUS NURSE Ophelia OTHELLO PLATES poison poison'd PRINCE Published June QUEEN REGAN Revenge RODERIGO Romeo and Juliet SATURNINUS scorn Shakspeare slain sleep sons stabs Steward TAMORA thane thee thou art TITUS ANDRONICUS Tybalt Venetian villain Witches Отн
Beliebte Passagen
Seite 14 - She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death.
Seite 105 - O my love ! my wife ! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty : Thou art not conquer'd ; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Seite 83 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.
Seite 42 - Says suum, mun, ha, no, nonny. Dolphin my boy, my boy, sessa! let him trot by. Storm still LEAR. Why, thou wert better in thy grave than to answer with thy uncovered body this extremity of the skies. Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha! here's three on "s are sophisticated! Thou art the thing itself; unaccommodated man is no more but such a poor, bare, forked animal as thou art.
Seite 7 - You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them, and smear The sleepy grooms with blood. Macb. I'll go no more: I am afraid to think what I have done Look on't again I dare not.
Seite 41 - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.