Brecht Collected Plays: 7: Visions of Simone Machard; Schweyk in the Second World War; Caucasian Chalk Circle; Duchess of MalfiA&C Black, 14.04.2015 - 480 Seiten Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language. The seventh volume of Brecht's Collected Plays contains the plays which Brecht wrote during his six-year stay in the United States from 1942 to 1948. The Visions of Simone Machard is a French resistance version of the Joan of Arc story. Schweyk in the Second World War transposes Hasek's 'good soldier' to the Prague of Hitler and Heydrich. The Caucasian Chalk Circle, based on the biblical story of the judgement of Solomon, was originally written for production on Broadway, with W. H. Auden responsible for the verse. A morality masterpiece, the play powerfully demonstrates Brecht's pioneering theatrical techniques and has since become one of his most popular works. The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants. |
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... you're told. Exit Simone. ROBERT to Georges: Why don't you answer? Fancy wearing a uniform and not even looking up when there are planes about. If all our soldiers are like you, you betwe'll lose the war. GEORGES: What do you say to ...
... you're told. Exit Simone. ROBERT to Georges: Why don't you answer? Fancy wearing a uniform and not even looking up when there are planes about. If all our soldiers are like you, you betwe'll lose the war. GEORGES: What do you say to ...
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... you're not to let anyone into the breakfast room. To Simone: And you're reading again during working hours, Simone. That's not what I gave you the book for. SIMONE has busily begun to count the tablecloths: I only glanced at it while I ...
... you're not to let anyone into the breakfast room. To Simone: And you're reading again during working hours, Simone. That's not what I gave you the book for. SIMONE has busily begun to count the tablecloths: I only glanced at it while I ...
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... you're in the middle of the fighting. He pushes her into the hostelry. To Père Gustave: Too much imagination. PÈRE GUSTAVE mending his tyre: She doesn't like going down to the hall. They abuse her because the food packets are too ...
... you're in the middle of the fighting. He pushes her into the hostelry. To Père Gustave: Too much imagination. PÈRE GUSTAVE mending his tyre: She doesn't like going down to the hall. They abuse her because the food packets are too ...
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... you're the Maid of Orleans you'll need them. SIMONE putting on the helmet: How right you are. I must go straightaway and see the King at Orleans. It's a good twenty miles, the tanks do about 45 m.p.h., and my shoes are.
... you're the Maid of Orleans you'll need them. SIMONE putting on the helmet: How right you are. I must go straightaway and see the King at Orleans. It's a good twenty miles, the tanks do about 45 m.p.h., and my shoes are.
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Abashvili ADJUTANT angel ANNA ANTONIO AZDAK Baloun Berlau script Bertolt Brecht BOSOLA Brecht Brettschneider brickworks brother BULLINGER can’t Captain CARDINAL CARIOLA Caucasian Chalk Circle Chalice child comes court d’you DELIO dream drivers Duchess of Malfi Eisler enemy Enter Exit FAT PRINCE FERDINAND Feuchtwanger France German Gestapo girl give goes GOVERNOR’S WIFE GRUSHA hand Hanns Eisler hath Hauptmann head hear Hitler hostelry I’ve Ironshirts Joan judge Judge’s Katya kolchos KOPECKA lady LAVRENTI look lorries MADAME MACHARD MADAME SOUPEAU MAYOR Michael Moldau Monsieur Henri Monsieur le Maire mother MOTHERINLAW night Nukha palace PATRON Paul Czinner PEASANT WOMAN Père Gustave petrol piastres play refugees SaintMartin scene SCHWEYK Shauva Simone Machard Simone’s SINGER sings slivovitz soldier song Stalingrad stand tanks tell There’s they’re thing told voice Webster’s What’s you’re YOUNG PROCHAZKA YUSSUP