Shakespearean CriticismCengage Gale, 2003 - 464 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 335
... spirit of the poet " ; Ariel and Caliban are " beings more actual and convinc- ing than Miranda and Ferdinand themselves . " But then , in attempting to deal with the characters , Stoll admits that Ariel does seem to represent something ...
... spirit of the poet " ; Ariel and Caliban are " beings more actual and convinc- ing than Miranda and Ferdinand themselves . " But then , in attempting to deal with the characters , Stoll admits that Ariel does seem to represent something ...
Seite 340
... spirit , that part which helps a man maintain order within himself , Ariel is quite properly fulfilling his function at this point . Under the direction and control of Prospero , he is leading sinful men back to nature , to " clear life ...
... spirit , that part which helps a man maintain order within himself , Ariel is quite properly fulfilling his function at this point . Under the direction and control of Prospero , he is leading sinful men back to nature , to " clear life ...
Seite 341
... spirit and control of flesh . Ariel returns im- mediately with the return of reason to Prospero . And although the masque itself does not return , although it is merely pageant that feeds the spirit and not the body , the thing of which ...
... spirit and control of flesh . Ariel returns im- mediately with the return of reason to Prospero . And although the masque itself does not return , although it is merely pageant that feeds the spirit and not the body , the thing of which ...
Inhalt
The Jealousy of Leontes | 156 |
Further Reading | 174 |
Character Studies | 189 |
Urheberrecht | |
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action Alonso Anne Antonio argues Ariel audience becomes Brabantio Buckingham Caliban Cassio character Christian conscience Cordelia Cranmer critics Cymbeline daughter death Desdemona dramatic Edgar Elizabeth English essay evil fantasy father feel Ferdinand Fool Gloucester Gloucester's Goneril Gonzalo heart Henry VIII Henry's Hermione Holinshed human Iago Iago's imagination interpretation Jacobean James jealous jealousy Katherine Katherine's Kent Kent's King Lear king's language Lear's Leontes lines London madness magic marriage masque meaning ment Miranda moral nature ness Othello passion play play's plot political Polixenes Press Prospero Prospero's Books Queen Regan Renaissance Richard III role royal says scene seems sense sexual Shake Shakespeare Quarterly sion soul speaks speare speare's speech spirit stage Stephano storm story suggests Sycorax Tempest theatre theatrical thee theme things thou tion tragedy tragic Trinculo truth Univ vision wife Wilson Knight Winter's Tale Wolsey Wolsey's wonder words York