Shakespearean Criticism, Band 72Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 176
In a review of the 2001 production of King Lear at the Globe Theatre , Heather Neill admires director Barry Kyle's directness and clarity in presenting the drama in both its bleak and humorous dimensions . Studying the same production ...
In a review of the 2001 production of King Lear at the Globe Theatre , Heather Neill admires director Barry Kyle's directness and clarity in presenting the drama in both its bleak and humorous dimensions . Studying the same production ...
Seite 228
PRODUCTION REVIEWS When Edmund talks about his baseness he involves the groundlings around him and makes them complicit in his machinations . There is genuine humour in the play , which the production shows to advantage .
PRODUCTION REVIEWS When Edmund talks about his baseness he involves the groundlings around him and makes them complicit in his machinations . There is genuine humour in the play , which the production shows to advantage .
Seite 318
PRODUCTION REVIEWS 46. G. Wilson Knight , Shakespearian Production ( London : Routledge & Kegan Paul , 1968 ) , p . 164 . 47. See William Babula , Shakespeare in Production , 1935-1978 : A Selective Catalogue ( New York : Garland ...
PRODUCTION REVIEWS 46. G. Wilson Knight , Shakespearian Production ( London : Routledge & Kegan Paul , 1968 ) , p . 164 . 47. See William Babula , Shakespeare in Production , 1935-1978 : A Selective Catalogue ( New York : Garland ...
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Inhalt
Character Studies | 29 |
Production Reviews | 42 |
Further Reading | 92 |
Urheberrecht | |
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