Shakespearean CriticismCengage Gale, 2003 - 464 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 147
Michael LaBlanc. little ? Perhaps , and only perhaps , did it enter my mind that his jealousy could be centred around the one area he has hardly mentioned , Othello , and in particular his mind , the mind Desdemona said she fell in love ...
Michael LaBlanc. little ? Perhaps , and only perhaps , did it enter my mind that his jealousy could be centred around the one area he has hardly mentioned , Othello , and in particular his mind , the mind Desdemona said she fell in love ...
Seite 159
... mind . the possibility of infidelity . We need not conjecture as to what happened before the play began in order to perceive this much when the three major characters enact their parts in the second scene . The situation might never ...
... mind . the possibility of infidelity . We need not conjecture as to what happened before the play began in order to perceive this much when the three major characters enact their parts in the second scene . The situation might never ...
Seite 244
... mind , while in direct touch with the Fool and with Lear himself , then going mad . Third , far more acutely than Lear , Edgar is distracted from his personal suffering by experiencing the havoc which suffering has played with others ...
... mind , while in direct touch with the Fool and with Lear himself , then going mad . Third , far more acutely than Lear , Edgar is distracted from his personal suffering by experiencing the havoc which suffering has played with others ...
Inhalt
The Jealousy of Leontes | 156 |
Further Reading | 174 |
Character Studies | 189 |
Urheberrecht | |
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action Alonso Anne Antonio argues Ariel audience becomes Brabantio Buckingham Caliban Cassio character Christian conscience Cordelia Cranmer critics Cymbeline daughter death Desdemona dramatic Edgar Elizabeth English essay evil fantasy father feel Ferdinand Fool Gloucester Gloucester's Goneril Gonzalo heart Henry VIII Henry's Hermione Holinshed human Iago Iago's imagination interpretation Jacobean James jealous jealousy Katherine Katherine's Kent Kent's King Lear king's language Lear's Leontes lines London madness magic marriage masque meaning ment Miranda moral nature ness Othello passion play play's plot political Polixenes Press Prospero Prospero's Books Queen Regan Renaissance Richard III role royal says scene seems sense sexual Shake Shakespeare Quarterly sion soul speaks speare speare's speech spirit stage Stephano storm story suggests Sycorax Tempest theatre theatrical thee theme things thou tion tragedy tragic Trinculo truth Univ vision wife Wilson Knight Winter's Tale Wolsey Wolsey's wonder words York