Shakespearean CriticismCengage Gale, 2003 - 464 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 47
Michael LaBlanc. “ masque ” in a broad generic sense , he nevertheless serves notice of the play's preoccupation with royal entertainment . ' Late in the first act Henry entertains Wolsey in a rudimentary pastoral masque , accidentally ...
Michael LaBlanc. “ masque ” in a broad generic sense , he nevertheless serves notice of the play's preoccupation with royal entertainment . ' Late in the first act Henry entertains Wolsey in a rudimentary pastoral masque , accidentally ...
Seite 48
... masque had already emerged as a significant form in the work of Ben Jonson and Inigo Jones . Though Jonson's best masques were yet to be written , he had been responsible for ten masques at court , as well as sundry entertainments ...
... masque had already emerged as a significant form in the work of Ben Jonson and Inigo Jones . Though Jonson's best masques were yet to be written , he had been responsible for ten masques at court , as well as sundry entertainments ...
Seite 52
... masque and the play is even possible , and if it is , how Shakespeare achieved it . We should note at the outset that Jonson's artistic solu- tion for the masque was inherently impossible for Shakespeare in Henry VIII . This is because ...
... masque and the play is even possible , and if it is , how Shakespeare achieved it . We should note at the outset that Jonson's artistic solu- tion for the masque was inherently impossible for Shakespeare in Henry VIII . This is because ...
Inhalt
The Jealousy of Leontes | 156 |
Further Reading | 174 |
Character Studies | 189 |
Urheberrecht | |
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action Alonso Anne Antonio argues Ariel audience becomes Brabantio Buckingham Caliban Cassio character Christian conscience Cordelia Cranmer critics Cymbeline daughter death Desdemona dramatic Edgar Elizabeth English essay evil fantasy father feel Ferdinand Fool Gloucester Gloucester's Goneril Gonzalo heart Henry VIII Henry's Hermione Holinshed human Iago Iago's imagination interpretation Jacobean James jealous jealousy Katherine Katherine's Kent Kent's King Lear king's language Lear's Leontes lines London madness magic marriage masque meaning ment Miranda moral nature ness Othello passion play play's plot political Polixenes Press Prospero Prospero's Books Queen Regan Renaissance Richard III role royal says scene seems sense sexual Shake Shakespeare Quarterly sion soul speaks speare speare's speech spirit stage Stephano storm story suggests Sycorax Tempest theatre theatrical thee theme things thou tion tragedy tragic Trinculo truth Univ vision wife Wilson Knight Winter's Tale Wolsey Wolsey's wonder words York