Shakespearean CriticismCengage Gale, 2003 - 464 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 107
... jealous marginality is itself inevitably ambivalent . Dramatists often acknowledge the complex ambiva- lences of the jealous protagonist , the " forked one , " by distributing his various attributes among more than one character . For ...
... jealous marginality is itself inevitably ambivalent . Dramatists often acknowledge the complex ambiva- lences of the jealous protagonist , the " forked one , " by distributing his various attributes among more than one character . For ...
Seite 144
... jealous about ? 1. Not becoming a lieutenant ( jealous over Cassio ) . 2. Jealous that Emilia and Othello have had an affair . 3. Jealous of Emilia and Cassio . 4. Jealous over Desdemona and Cassio . 5. Jealous of Desdemona's power over ...
... jealous about ? 1. Not becoming a lieutenant ( jealous over Cassio ) . 2. Jealous that Emilia and Othello have had an affair . 3. Jealous of Emilia and Cassio . 4. Jealous over Desdemona and Cassio . 5. Jealous of Desdemona's power over ...
Seite 153
... jealous behavior , as opposed to " B - Love , " or " being love , " which seeks the good of the partner and is devoid of jealousy . " Other researchers have characterized specific male and female differences in jealous behavior . Gordon ...
... jealous behavior , as opposed to " B - Love , " or " being love , " which seeks the good of the partner and is devoid of jealousy . " Other researchers have characterized specific male and female differences in jealous behavior . Gordon ...
Inhalt
Character Studies | 29 |
Production Reviews | 42 |
Further Reading | 92 |
Urheberrecht | |
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action Alonso Anne Antonio argues Ariel audience becomes Brabantio Buckingham Caliban Cassio character Christian conscience Cordelia Cranmer critics Cymbeline daughter death Desdemona dramatic Edgar Elizabeth English essay evil fantasy father feel Ferdinand Fool Gloucester Gloucester's Goneril Gonzalo heart Henry VIII Henry's Hermione Holinshed human Iago Iago's imagination interpretation Jacobean James jealous jealousy Katherine Katherine's Kent Kent's King Lear king's language Lear's Leontes lines London madness magic marriage masque meaning ment Miranda moral nature ness Othello passion play play's plot political Polixenes Press Prospero Prospero's Books Queen Regan Renaissance Richard III role royal says scene seems sense sexual Shake Shakespeare Quarterly sion soul speaks speare speare's speech spirit stage Stephano storm story suggests Sycorax Tempest theatre theatrical thee theme things thou tion tragedy tragic Trinculo truth Univ vision wife Wilson Knight Winter's Tale Wolsey Wolsey's wonder words York