Shakespearean Criticism, Band 72Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 38
As Ann Rosalind Jones and Peter Stallybrass note , she is here asserting ' her right to give away the money ... that she is simultaneously asking Henry to give to her ' ( Jones & Stallybrass , ' Griselda ' , 19 ) .
As Ann Rosalind Jones and Peter Stallybrass note , she is here asserting ' her right to give away the money ... that she is simultaneously asking Henry to give to her ' ( Jones & Stallybrass , ' Griselda ' , 19 ) .
Seite 123
That handkerchief Did an Egyptian to my mother give : She was a charmer and could almost read The thoughts of people . She told her , while she kept it , ' Twould make her amiable and subdue my father Entirely to her love ; but , if she ...
That handkerchief Did an Egyptian to my mother give : She was a charmer and could almost read The thoughts of people . She told her , while she kept it , ' Twould make her amiable and subdue my father Entirely to her love ; but , if she ...
Seite 142
Cf. The deathbed soliloquy : " When I have pluck'd thy rose / I cannot give it vital growth again , / It needs must wither ... story invests the handkerchief , in reality it is he who gives it to Desdemona to inhibit and obligate her .
Cf. The deathbed soliloquy : " When I have pluck'd thy rose / I cannot give it vital growth again , / It needs must wither ... story invests the handkerchief , in reality it is he who gives it to Desdemona to inhibit and obligate her .
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Inhalt
Character Studies | 29 |
Production Reviews | 42 |
Further Reading | 92 |
Urheberrecht | |
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action appears argues Ariel audience becomes beginning Caliban calls cause character Christian concern conscience Cordelia course critics daughter death describes Desdemona drama earlier Edgar effect English essay example experience expression eyes fact fall father feel figure final Fool give Gloucester hand heart Henry VIII Henry's Hermione Holinshed human imagination interpretation James jealousy Katherine kind King Lear lago language later Lear's Leontes lines London look madness masque meaning mind Miranda moral nature never opening Othello performance play play's political present Press production Prospero provides question reading reason references relation represents response role says scene seems sense sexual Shake Shakespeare soul speaks speech stage story Studies suffering suggests Tale tells Tempest things thou tion tragedy true truth turn vision Wolsey wonder York