Shakespearean CriticismCengage Gale, 2003 - 464 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 208
... action ; and during that ensuing , often diffuse , action neither he nor we can ever forget her . The Fool , who is Cordelia's surrogate , does not allow us to , both because he keeps her constantly in Lear's mind and because the ...
... action ; and during that ensuing , often diffuse , action neither he nor we can ever forget her . The Fool , who is Cordelia's surrogate , does not allow us to , both because he keeps her constantly in Lear's mind and because the ...
Seite 248
... action embodies an essentially Christian structure , or at least a concerted attempt on the part of its principal ac ... action is basically as simple and homiletic in structure as any of the neat little " tragedies " of A Mirror ...
... action embodies an essentially Christian structure , or at least a concerted attempt on the part of its principal ac ... action is basically as simple and homiletic in structure as any of the neat little " tragedies " of A Mirror ...
Seite 249
... action not more generally recognized to be deliberately archaic and artificial but is discussed instead as if it possessed or ought to possess a naturalistic coherence comparable to that of the Lear action ? Here again the ...
... action not more generally recognized to be deliberately archaic and artificial but is discussed instead as if it possessed or ought to possess a naturalistic coherence comparable to that of the Lear action ? Here again the ...
Inhalt
Character Studies | 29 |
Production Reviews | 42 |
Further Reading | 92 |
Urheberrecht | |
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action Alonso Anne Antonio argues Ariel audience becomes Brabantio Buckingham Caliban Cassio character Christian conscience Cordelia Cranmer critics Cymbeline daughter death Desdemona dramatic Edgar Elizabeth English essay evil fantasy father feel Ferdinand Fool Gloucester Gloucester's Goneril Gonzalo heart Henry VIII Henry's Hermione Holinshed human Iago Iago's imagination interpretation Jacobean James jealous jealousy Katherine Katherine's Kent Kent's King Lear king's language Lear's Leontes lines London madness magic marriage masque meaning ment Miranda moral nature ness Othello passion play play's plot political Polixenes Press Prospero Prospero's Books Queen Regan Renaissance Richard III role royal says scene seems sense sexual Shake Shakespeare Quarterly sion soul speaks speare speare's speech spirit stage Stephano storm story suggests Sycorax Tempest theatre theatrical thee theme things thou tion tragedy tragic Trinculo truth Univ vision wife Wilson Knight Winter's Tale Wolsey Wolsey's wonder words York