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LONDON, SATURDAY, JULY 23, 1910. CONTENTS.-No. 30. NOTES:-Skeat Bibliography, 61-Peacock on Fashionable Literature, 62-South African Slang, 63-Sir W. Godbold, 64-Jeremy Taylor and Petronius-Royal Tombs at St. Denis Boys in Petticoats, 65-"Vote early and vote often"-"Obsess "-"Dispense Bar"-Dalmatian Night Spectres, 66. QUERIES:-General Haug-St. Leodegarius and the St. Roosevelt NOTES ON BOOKS:-Leadam's 'History of England, 1702-60'-Jamieson's Scottish Dictionary. Booksellers' Catalogues. Notices to Correspondents. Notes. BIBLIOGRAPHY: WALTER W. SKEAT. my ON a previous occasion (see 8 S. ii. 241) I gave a list of fifty-two books, as published down to 1892. In 1896, at p. lxxix. of "Student's Pastime, I continued the list down to that date with one alteration in the numbering. The book numbered 52 in 1892 was then altered to 36*, because I did no more than edit it. I now beg leave to continue the list of 1892, beginning with No. 52 as newly applied. 52. Chaucer's House of Fame. Oxford, 1893. Crown 8vo, pp. 136. 53. (a) The Bruce. By John Barbour. Part I. (Scottish Text Society.) Edinburgh, 1893-4. Demy 8vo, pp. 1-351. (b) The same; Part II. 1893-4. Pp. i-viii, 1-431. (c) The same; Part III. 1894-5. Pp. i-xci. N.B. (c) and (a) form Vol. I.; (b) is Vol. II. 54. The Complete Works of Geoffrey Chaucer. Oxford, 1894. Six vols. demy 8vo. Vol. I. The Romaunt of the Rose, and Minor Poems; pp. lxiv, 568. Vol. II. Boethius ; Troilus; pp. Lxxx, 506. Vol. III. House of Fame; Legend of Good Women; Astrolabe; Sources of the Tales; pp. lxxx, 504. Vol. IV. Canterbury Tales; Tale of Gamelyn; pp. xxxii, 667. Vol. V. Notes to the Canterbury Tales; pp. xxviii, 515. Vol. VI. Introduction; Glossary; Indexes; pp. ciii, 445. 55. The Student's Chaucer. Oxford, 1895. Crown 8vo, pp. xxiv, 732 ; with Glossarial Index, PP. 149. [This Glossarial Index was also published separately.] (E.D.S., No. 76.) Oxford, 1895. Demy 8vo, Specimens of English Dialects. pp. xxiv, 193. 56. Nine 57. Two Collections of Derbicisms. By S. Pegge, A. M. Hallam. Edited by W. W. S. and Thomas 8vo, pp. c, 138. [From Pegge's MS. copy.] (E.D.S. No. 78.). Oxford, 1896. Demy 58. A Student's Pastime; being a select series of articles reprinted from N. and Q.' Oxford, 1896. Crown 8vo, pp. lxxxiv, 410. 59. The Complete Works of Geoffrey Chaucer. Vol. VII. (supplementary). Chaucerian and other Pieces. Oxford, 1897. Demy 8vo, pp. lxxxiv, 608. 1897. Extra fcap. 8vo, pp. 136. 60. Chaucer: The Hous of Fame. Oxford, 8vo, pp. xi, 167. 61. The Chaucer Canon. Oxford, 1900. Crown 62. Notes 1901. on English Etymology. Oxford, Crown 8vo, pp. xxii, 479. 63. The Place-Names of Cambridgeshire. (CamDemy 8vo, pp. vi, 80. bridge Antiquarian Society.) Cambridge, 1901. 64. The Lay of Havelok the Dane. Oxford, 1902. Extra fcap. 8vo, pp. lx, 171. See No. 9. 65. The Place-Names of Huntingdonshire. (Cambridge Antiquarian Society.) Cambridge, 1903. Demy 8vo, pp. 317-60 (in vol. x.). 66. The Knight's Tale. By Geoffrey Chaucer Done into modern English. London, A. Moring & Co. 1904. 16mo, pp. xxiii, 106. 67. The Man of Law's Tale, the Nun's Priest's Tale, and the Squire's Tale. By Geoffrey Chaucer. London, A. Moring & Co. 1904. 16mo, pp. xxiii, 127. 68. The Prioress's Tale and other Tales. By London, A. Moring & Co. 1904. 16mo, pp. xxvi, Geoffrey Chaucer. Done into modern English. 158. 69. The Place-Names of Hertfordshire. Hert ford, 1904. Demy 8vo, pp. 75. and Passus I.-VII. By William Langland. 70. The Vision of Piers the Plowman; prologue Done into modern English. London, A. Moring & Co. 1905. 16mo, pp. xxix, 151. 71. A Primer of Classical and English Philology. Oxford, 1905. Extra fcap. 8vo, pp. viii, 101. 1906. Extra fcap. 8vo, pp. xxxii, 73. 72. Pierce the Ploughman's Crede. Oxford, 73. The Place-Names of Bedfordshire. (Cambridge Antiquarian Society.) Cambridge, 1906. Demy 8vo, pp. vii, 74. 74. The Legend of Good Women. By Geoffrey Chaucer. Done into modern English. London, Chatto & Windus, 1907. 16mo, pp. xxiii, 131. 75. The Prologue to the Canterbury Tales, and Minor Poems. By Geoffrey Chaucer. Done into modern English. London, Chatto & Windus, 1907. 16mo, pp. xxxi, 168. 76. The Proverbs of Alfred. Oxford, 1907. Extra fcap. 8vo, pp. xlvi, 94. 77. The Parliament of Birds and The House of Fame. By Geoffrey Chaucer. Done into modern English. London, Chatto & Windus, 1908. 16mo, pp. xxvii, 135. 78. Early English Proverbs. Oxford, 1910. 8vo, pp. xxiv, 147. The following are later editions of books first published before 1896, and not noticed in the former list : 35. (d) Elfric's Lives of Saints. Part. IV. (E.E.T.S.) Vol. II; concluding part. 1900.. Pp. lxiii, 225-474. 38. (D) An Etymological Dictionary of the English Language. Third edition. Oxford, 1898. 4to, pp. xxxiv, 844. (E) The same; New edition, revised and enlarged. Oxford, 1910. 4to, pp. xliv, 780. re 39. (E) A Concise Etymological Dictionary of the English Language. New edition; written and rearranged. Oxford, 1901. 8vo, pp. xv, 663. Crown 40. (B) The Tale of Gamelyn; with notes and Second edition. a glossary. Oxford, 1893. Extra fcap. 8vo, pp. xl, 64. 46. (B) Chaucer: the Minor Poems. Oxford, 1896. Second and enlarged edition. Crown. 8vo, pp. lxxxvi, 502. 50. (B) A Primer of English Etymology. Second edition. Oxford, 1895. (C) Third edition, 1898. (D) Fourth edition, 1904. (E) Fifth edition, 1910. WALTER W. SKEAT. T. L. PEACOCK'S ‘ESSAY ON FASHIONABLE LITERATURE.' (Concluded from p. 5.) I NOW give the remainder of the first part of Peacock's Essay from MS. 36,815 in the British Museum : The monthly publications are so numerous that the most indefatigable reader of desultory literature could not get through the whole of their contents in a month-a very happy circumstance, no doubt, for that not innumerous class of persons who make the reading of reviews and magazines the sole business of their lives. All these have their own little exclusive circles of favour and fashion, and it is very amusing to trace in any one of them half-a-dozen favoured names circling in the pre-eminence of glory in that little circle, and scarcely named or known out of it. Glory, it is said, is like a circle in the water that grows feebler and feebler as it recedes from the centre and expands with a wider circumference; but the glory of these little idols of little literary factions is like the many circles produced by the simultaneous splashing of a multitude of equal-sized pebbles, which each throws out for a few inches its own little series of concentric circles, limiting and limited by the small rings of its brother pebbles. Each of these little instructions of genius has its own little audience of admirers, who, reading only those things belonging to their own party or gang, peep through these intellectual telescopes and think they have a complete view of the age, while they see only a minute fraction of it. Thus it fares with the insulated reader of a solitary review, the inhabitants of large towns, the frequenters of reading-rooms who consult them en masse.' In these publications the mutual flattery of 'learned correspondents' to their own 'inestim carries the Tickle me, Mr. able miscellany' Hayley,' principle to a surprising extent. There is a systematical cant in criticism which passes with many for the language of superior intelligence; such, for instance, is that, which pronounces unintelligible whatever is in any degree obscure, more especially if it be really matter of deeper sense than the critic likes to be molested with. A critic is bound to study for an author's meaning, and not to make his own stupidity another's reproach. Knight's Principle of Taste' is as admirable a piece of philosophical criticism as has appeared in any language. One of the best metaphysical and one of the best moral treatises in any language appeared at the same time. The period seemed to promise the revival of philosophy, but it has since fallen into deeper sleep than ever, and even classical literature seems sinking into the same The favourite journals of the day, only repose. within a very few years, were seldom without a classical and philosophical article for the fear of but now keeping up appearances : we have volume after volume without either, and almost without anything to remind us that such things were. Sir William Drummond complains that philosophy is neglected at the universities from an exclusive respect for classical literature. I wish the reason were so good. Philosophy is discouraged from fear of itself, not from love of the classics. There would be too much philosophy in the latter for the purposes of public education were it not happily neutralised by the very ingenious process of academical chemistry which separates reason from grammar, taste from prosody, philosophy from philology, and absorbs. all perception of the charms of the former in tedium and disgust at the drudgery of the latter Classical literature, thus discarded of all power to shake the dominion of venerable iniquity and hoary imposture, is used merely as a steppingstone to church preferment, and there, God knows Small skill in Latin and still less in Greek Is more than adequate to all we seek. "If periodical criticism were honestly and conscientiously conducted, it might be a question how far it has been beneficial or injurious to literature; but being, as it is, merely a fraudulent and exclusive tool of party and partiality, that it is highly detrimental to it none but a trading critic will deny. The success of a new work is made to depend, in a great measure, not on the degree of its intrinsic merit, but on the degree of interest the publisher may have with the periodical press. Works of weight and utility break through these flimsy obstacles, but on the light and transient literature of the day its effect is almost omnipotent. Personal or political alliance being the only passports to critical notice, the independence and high thinking that keeps an individual aloof from all the petty subdivisions There is a of fashion makes every gang his foe. common influence to which the periodical press is subservient: it has many ultras on the side of power, but none on the side of liberty (one or two. publications excepted). And this is from want of sufficient liberty of the press, which is ample to all purposes; it is from, want of an audience. There is a degree of spurious liberty a Whiggish moderation with which many will go hand in hand, but few have the courage to push enquiry to its limits. Now though there is no |