Paradigm & Parody: Images of Creativity in French Romanticism--Vigny, Hugo, Balzac, Gautier, MussetUniversity of Virginia Press, 1989 - 178 Seiten |
Inhalt
Le Journal | 11 |
The Consultations of the Docteur | 23 |
The Consultations of the Docteur | 48 |
William Shakespeare and the Romantic | 63 |
Honoré de Balzac and the Mechanisms of Creative | 80 |
Honoré de Balzac and the Mechanisms of Creative | 97 |
Split Personalities and the Romantic | 134 |
Conclusion | 167 |
175 | |
Häufige Begriffe und Wortgruppen
Aeschylus aesthetic Alfred de Vigny âme André Chénier artist Balthazar Balzac Beau beauty becomes bourgeois c'est Christian Claës complex concept conflict contemporary creative person creative process critics Daphné Destinées destruction divine Docteur Noir dreams energy être Etudes philosophiques experience Faust faut fictional figure Fils du Titien Gautier genius Hugo Hugo's human ideal ideas idée imagination inner inner model intuition Jeunes-France Journal Julian l'art La Comédie humaine language Lettres Libanius Louis Lambert Lucien de Rubempré Maison du berger monde moral Musset myth n'est narrator nature novel Oeuvres Onuphrius Paris parody pensée philosophy poem poet poet's poète poetic poetry present Prometheus protagonist qu'il reader reality récits rêve role romantic romanticism romantique satire seul social society spiritual Stello story structure suggests symbol theme Théophile Gautier tion tout tragic transformed truth values Victor Hugo Vigny Vigny's vision visionary William Shakespeare writing