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Seite 300
Simultaneously announcing and effacing the role of the camera in this scene , the impact emphasizes the unification of the camera and spectator through its breakdown , drawing attention back to the space and scene of cinema itself .
Simultaneously announcing and effacing the role of the camera in this scene , the impact emphasizes the unification of the camera and spectator through its breakdown , drawing attention back to the space and scene of cinema itself .
Seite 407
Because Iñárritu films the bus from the perspective of the boys , it remains almost an unreal target for the spectator , as well . By opening the film with Hassan's sale of the gun and the boys ' experimentation with it , Iñárritu makes ...
Because Iñárritu films the bus from the perspective of the boys , it remains almost an unreal target for the spectator , as well . By opening the film with Hassan's sale of the gun and the boys ' experimentation with it , Iñárritu makes ...
Seite 408
because this prelude exposes the contingency of what happens , the spectator cannot interpret it as the American officials do . Most films ( and other works of art ) that provide the background for traumatic events do so to reveal the ...
because this prelude exposes the contingency of what happens , the spectator cannot interpret it as the American officials do . Most films ( and other works of art ) that provide the background for traumatic events do so to reveal the ...
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Inhalt
René Thoreau Bruckner | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Crash Testing | 358 |
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