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Seite 300
Simultaneously announcing and effacing the role of the camera in this scene , the impact emphasizes the unification of the camera and spectator through its breakdown , drawing attention back to the space and scene of cinema itself .
Simultaneously announcing and effacing the role of the camera in this scene , the impact emphasizes the unification of the camera and spectator through its breakdown , drawing attention back to the space and scene of cinema itself .
Seite 374
The crash scene is preceded only by an opening jitterbug montage and then a distinct but enigmatic shot of wrinkled sheets in a darkened bedroom , a location that will not become familiar until the end of the film .
The crash scene is preceded only by an opening jitterbug montage and then a distinct but enigmatic shot of wrinkled sheets in a darkened bedroom , a location that will not become familiar until the end of the film .
Seite 451
29 Fatal Contact's opening scenes imply that the movie - theater scene in Outbreak relies on nostalgic - if still politically powerful - fears about a single public sphere that might be invaded from some outside .
29 Fatal Contact's opening scenes imply that the movie - theater scene in Outbreak relies on nostalgic - if still politically powerful - fears about a single public sphere that might be invaded from some outside .
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Inhalt
René Thoreau Bruckner | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Crash Testing | 358 |
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accident accidental aesthetic anxiety appears argues artists attempts automobile becomes begins body border California called camera cause chance cinema collision connection containment contingency crash Crash Test critical cultural danger death described desire destruction developed disaster discourse Drive Duke University early effect Emergence encounter essay event exist experience fact fall figure film film's force frame Guitar Guitar Drag hand head human Ibid impact infection injury laboratory later limits Live logic lost meaning Michigan move movement necessity notes object occurs opening origin outbreak narratives past performance photographic political popular possibility practice present produced provides question reading recording responsibility reveals safety scene screen sense shooting shot space spectator speed story structure Studies technologies temporal Theory tion trans University Press violence Virilio visual writing York
Bibliografische Informationen
| Titel | Discourse, Band 30,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2008 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |