Discourse, Band 30,Ausgabe 32008 |
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Seite 322
... provides us with a useful place from which to start rethinking Vir- ilio's paradigm , for it begins with the assumption that “ the very meaning of responsibility ... cannot be tied to the conceit of a self fully transparent to itself ...
... provides us with a useful place from which to start rethinking Vir- ilio's paradigm , for it begins with the assumption that “ the very meaning of responsibility ... cannot be tied to the conceit of a self fully transparent to itself ...
Seite 408
... provide the background for traumatic events do so to reveal the necessity leading up to them . ( We see this in Costa ... provides a possibility for the realization of this link . As producer Jon Kilik tells it , Iñárritu began work on ...
... provide the background for traumatic events do so to reveal the necessity leading up to them . ( We see this in Costa ... provides a possibility for the realization of this link . As producer Jon Kilik tells it , Iñárritu began work on ...
Seite 415
... provides respite from the pain of the gunshot , but , to enjoy the benefits of the narcotic , Susan must touch her lips to the unsanitized pipe of a Moroccan villager . Her willingness to do so marks a radical change from her earlier ...
... provides respite from the pain of the gunshot , but , to enjoy the benefits of the narcotic , Susan must touch her lips to the unsanitized pipe of a Moroccan villager . Her willingness to do so marks a radical change from her earlier ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York