Discourse, Band 30,Ausgabe 32008 |
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Seite 427
... performance artist and political activist respon- sible for the Destruction in Arts Symposium of 1966 in London , who gave him the idea to smash his instrument . In December of 1962 , Metzger gave a presentation at the Ealing School of ...
... performance artist and political activist respon- sible for the Destruction in Arts Symposium of 1966 in London , who gave him the idea to smash his instrument . In December of 1962 , Metzger gave a presentation at the Ealing School of ...
Seite 428
... Performance The Fluxus group is a loosely affiliated international aggregate of musicians , poets , video artists , filmmakers , and performance artists who eschewed traditional divisions between disciplines , media , and cultural ...
... Performance The Fluxus group is a loosely affiliated international aggregate of musicians , poets , video artists , filmmakers , and performance artists who eschewed traditional divisions between disciplines , media , and cultural ...
Seite 435
... performance piece , what the work actually presents is a significant shift in mediation from the 1970s model of documenting performance , of balancing events and structure . Though Guitar Drag resembles the historical documentation of ...
... performance piece , what the work actually presents is a significant shift in mediation from the 1970s model of documenting performance , of balancing events and structure . Though Guitar Drag resembles the historical documentation of ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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Häufige Begriffe und Wortgruppen
acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York