Discourse, Band 30,Ausgabe 32008 |
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Seite 428
... object of disdain was military industrial power , and for others , as in much Fluxus work , it was commodity fetishism that became the target of rhetorical and performative violence . In rock and roll of this era , the sym- bolic ...
... object of disdain was military industrial power , and for others , as in much Fluxus work , it was commodity fetishism that became the target of rhetorical and performative violence . In rock and roll of this era , the sym- bolic ...
Seite 431
... objects are reframed as events . " 23 It might also be suggested that in a number of cases , including the one just ... object that would be the trace of a contingent , somewhat uncontrollable performance action.24 Automobile Tire Print ...
... objects are reframed as events . " 23 It might also be suggested that in a number of cases , including the one just ... object that would be the trace of a contingent , somewhat uncontrollable performance action.24 Automobile Tire Print ...
Seite 432
... object , “ an identifica- tion with the hands and body that flung the paint and stood ' in ' the canvas and submission to the objective markings . " 25 Like Pollock's brushstrokes , these works by Young / Paik and Rauschenberg / Cage ...
... object , “ an identifica- tion with the hands and body that flung the paint and stood ' in ' the canvas and submission to the objective markings . " 25 Like Pollock's brushstrokes , these works by Young / Paik and Rauschenberg / Cage ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York