Discourse, Band 30,Ausgabe 32008 |
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Ergebnisse 1-3 von 24
Seite 297
... limits of the " primitive mode of representation . ” Through their development of tricks and visual gags , these films inaugurated experiments with an articulated system of representation , the solicitation of spectator- camera ...
... limits of the " primitive mode of representation . ” Through their development of tricks and visual gags , these films inaugurated experiments with an articulated system of representation , the solicitation of spectator- camera ...
Seite 352
... limits of the body " and , sec- ond , to facilitate the application of that knowledge to airplane and automobile design . By casting a clinical eye on instances in which ordinary individuals walked away ( literally , in some cases ) ...
... limits of the body " and , sec- ond , to facilitate the application of that knowledge to airplane and automobile design . By casting a clinical eye on instances in which ordinary individuals walked away ( literally , in some cases ) ...
Seite 431
... limits of traditional understandings of authorship and craft . The artists of the Fluxus group were very much inspired by the teachings of Cage , and a number of their experiments in reframing the meaning of artworks can be linked to ...
... limits of traditional understandings of authorship and craft . The artists of the Fluxus group were very much inspired by the teachings of Cage , and a number of their experiments in reframing the meaning of artworks can be linked to ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York