Discourse, Band 30,Ausgabe 32008 |
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Seite 382
... later , 150 miles down the road in Fort Smith , Arkansas , and recalled neither the accident itself nor the events leading up to it . “ I recollect taking supper at a stagecoach [ station ] on the road , " Muybridge would explain years ...
... later , 150 miles down the road in Fort Smith , Arkansas , and recalled neither the accident itself nor the events leading up to it . “ I recollect taking supper at a stagecoach [ station ] on the road , " Muybridge would explain years ...
Seite 407
... later believe , this is not in any way an act of ter- rorism . It is not even a boyhood prank . A chain of causality leads to the shooting , but the film highlights the contingency at work through the causal chain . Neither a benign nor ...
... later believe , this is not in any way an act of ter- rorism . It is not even a boyhood prank . A chain of causality leads to the shooting , but the film highlights the contingency at work through the causal chain . Neither a benign nor ...
Seite 459
... Later implicitly rests at the hands of the socially renegade - in this case , animal - rights activists who unwittingly release infected chimps from a research facility - that cause occurs only in passing , and the spec- tacle of the ...
... Later implicitly rests at the hands of the socially renegade - in this case , animal - rights activists who unwittingly release infected chimps from a research facility - that cause occurs only in passing , and the spec- tacle of the ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York