Im Buch
Ergebnisse 1-3 von 18
Seite 431
Art historian David Joselit has described one of the central strategies of Fluxus as one in which " objects are reframed as events . " 23 It might also be suggested that in a number of cases , including the one just described , the work ...
Art historian David Joselit has described one of the central strategies of Fluxus as one in which " objects are reframed as events . " 23 It might also be suggested that in a number of cases , including the one just described , the work ...
Seite 435
... rather than the crafty manipulation of the image's structure by the filmmaker and / or editor . l Even though many commentators on Guitar Drag have described it as a coherent performance piece , what the work actually presents is a ...
... rather than the crafty manipulation of the image's structure by the filmmaker and / or editor . l Even though many commentators on Guitar Drag have described it as a coherent performance piece , what the work actually presents is a ...
Seite 452
In The Hot Zone , Preston's thick description is similarly invested in all of the barriers and procedures that ensure that the biocontainment lab symbolizes a carefully contained danger . Notably , although much popular and critical ...
In The Hot Zone , Preston's thick description is similarly invested in all of the barriers and procedures that ensure that the biocontainment lab symbolizes a carefully contained danger . Notably , although much popular and critical ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
René Thoreau Bruckner | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Crash Testing | 358 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accident accidental aesthetic anxiety appears argues artists attempts automobile becomes begins body border California called camera cause chance cinema collision connection containment contingency crash Crash Test critical cultural danger death described desire destruction developed disaster discourse Drive Duke University early effect Emergence encounter essay event exist experience fact fall figure film film's force frame Guitar Guitar Drag hand head human Ibid impact infection injury laboratory later limits Live logic lost meaning Michigan move movement necessity notes object occurs opening origin outbreak narratives past performance photographic political popular possibility practice present produced provides question reading recording responsibility reveals safety scene screen sense shooting shot space spectator speed story structure Studies technologies temporal Theory tion trans University Press violence Virilio visual writing York