Discourse, Band 30,Ausgabe 32008 |
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Seite 333
... called on cinematic stuntmen to learn from them how best to film high - speed collisions and how to help the body withstand the colli- sion's force , creating the impression that real disasters were being rehearsed , choreographed , and ...
... called on cinematic stuntmen to learn from them how best to film high - speed collisions and how to help the body withstand the colli- sion's force , creating the impression that real disasters were being rehearsed , choreographed , and ...
Seite 382
... with what might be its more serious internal ( less visible ) effects , such as inter- nal bleeding or hemorrhaging , bone fractures , and organ damage . In the case of blunt head trauma , also called 382 René Thoreau Bruckner.
... with what might be its more serious internal ( less visible ) effects , such as inter- nal bleeding or hemorrhaging , bone fractures , and organ damage . In the case of blunt head trauma , also called 382 René Thoreau Bruckner.
Seite 387
... called upon , and does not require the work of relat- ing past experiences with one another or with present ones . What Smith has lost , however , is the ability to recall personal experiences from his past , including personal ...
... called upon , and does not require the work of relat- ing past experiences with one another or with present ones . What Smith has lost , however , is the ability to recall personal experiences from his past , including personal ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York