Discourse, Band 30,Ausgabe 32008 |
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Seite 108
... Guitar Has Seconds to Live”: Guitar Drag's Archaeology of Indeterminacy and Violence', Discourse 30 (3) Fall 2008, 419–42. 7 See Hegarty, Noise/Music: A History (New York and London: Continuum, 2007), 63–4. 8 Georges Bataille, Story of ...
... Guitar Has Seconds to Live”: Guitar Drag's Archaeology of Indeterminacy and Violence', Discourse 30 (3) Fall 2008, 419–42. 7 See Hegarty, Noise/Music: A History (New York and London: Continuum, 2007), 63–4. 8 Georges Bataille, Story of ...
Seite
... Guitar Drag is produced by the violent contact of the various parts of the guitar – strings, the guitar body, perhaps even the pickups themselves – with the ground it is being dragged on, which vibratory signals are then transmitted ...
... Guitar Drag is produced by the violent contact of the various parts of the guitar – strings, the guitar body, perhaps even the pickups themselves – with the ground it is being dragged on, which vibratory signals are then transmitted ...
Seite 144
... Guitar 1: Drag the Guitar 1 clip to measure 13, then drag and copy the clip (by holding the OPTION/ALT key while dragging) to measures 15, 23, 25, 27, 29, 31, and 33. 7. Guitar 2: Drag the Guitar 2 clip to measure 9, then drag and copy ...
... Guitar 1: Drag the Guitar 1 clip to measure 13, then drag and copy the clip (by holding the OPTION/ALT key while dragging) to measures 15, 23, 25, 27, 29, 31, and 33. 7. Guitar 2: Drag the Guitar 2 clip to measure 9, then drag and copy ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York