Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 116
... Tragedies , p . 53 . 14 See Wilson , What Happens in Hamlet , pp . 44-50 ; M. M. Mahood , Shakespeare's Wordplay ( London : Methuen , 1957 ) , pp . 117-18 ; Irving Ribner , Patterns in Shakespearean Tragedy ( London : Methuen , 1960 ) ...
... Tragedies , p . 53 . 14 See Wilson , What Happens in Hamlet , pp . 44-50 ; M. M. Mahood , Shakespeare's Wordplay ( London : Methuen , 1957 ) , pp . 117-18 ; Irving Ribner , Patterns in Shakespearean Tragedy ( London : Methuen , 1960 ) ...
Seite 117
... tragedies of the period : Thomas Kyd's The Spanish Tragedy ( ca. 1587 ) , John Marston's The Malcontent ( 1604 ) , and Cyril Tourneur's The Revenger's Tragedy ( pub . 1607 ) . 29 Prosser , Hamlet and Revenge , pp . 111-12 . 30 See III ...
... tragedies of the period : Thomas Kyd's The Spanish Tragedy ( ca. 1587 ) , John Marston's The Malcontent ( 1604 ) , and Cyril Tourneur's The Revenger's Tragedy ( pub . 1607 ) . 29 Prosser , Hamlet and Revenge , pp . 111-12 . 30 See III ...
Seite 170
... tragedy " ( in Sidney's phrase ) was unleavened by the addition of moral judgment , audiences could in- dulge this sympathy and share the revenger's bloody triumph without any necessity of judging him or them- selves . The Spanish Tragedy ...
... tragedy " ( in Sidney's phrase ) was unleavened by the addition of moral judgment , audiences could in- dulge this sympathy and share the revenger's bloody triumph without any necessity of judging him or them- selves . The Spanish Tragedy ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York