Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 56
... suggests sensuality in each case.14 The mad Ophelia's bawdy songs and verbal license , while they give her access to “ an en- tirely different range of experience " from what she is allowed as the dutiful daughter , seem to be her one ...
... suggests sensuality in each case.14 The mad Ophelia's bawdy songs and verbal license , while they give her access to “ an en- tirely different range of experience " from what she is allowed as the dutiful daughter , seem to be her one ...
Seite 156
... suggest Hamlet's belief in the Ghost as a spirit from Purga- tory , but it may just as well suggest that the Ghost has ... suggests that the Ghost's description of its abode is not intended to suggest Purgatory . Citing Dante , he argues ...
... suggest Hamlet's belief in the Ghost as a spirit from Purga- tory , but it may just as well suggest that the Ghost has ... suggests that the Ghost's description of its abode is not intended to suggest Purgatory . Citing Dante , he argues ...
Seite 157
... suggests that the word is used in Hobbes's sense . The Ghost seems to be appealing to something innate , something instinc- tive . 36 The stage tradition that has Hamlet yank out his tables and frantically write down Claudius's villainy ...
... suggests that the word is used in Hobbes's sense . The Ghost seems to be appealing to something innate , something instinc- tive . 36 The stage tradition that has Hamlet yank out his tables and frantically write down Claudius's villainy ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York