Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 55
... represent the horror of having nothing to see . " When Ophelia is mad , Gertrude says that " Her speech is nothing , " mere " unshaped use . " Ophelia's speech thus represents the horror of having nothing to say in the public terms ...
... represent the horror of having nothing to see . " When Ophelia is mad , Gertrude says that " Her speech is nothing , " mere " unshaped use . " Ophelia's speech thus represents the horror of having nothing to say in the public terms ...
Seite 321
... represents an " an- tagonism between two inseparable components of a single psychological configuration . ” ] The poet whose characters make a thousand sly jokes at the expense of cuckolds wrote a charming spoof on pastoral love in ...
... represents an " an- tagonism between two inseparable components of a single psychological configuration . ” ] The poet whose characters make a thousand sly jokes at the expense of cuckolds wrote a charming spoof on pastoral love in ...
Seite 322
... represents " ( pp . 215-239 ) . Unhappily the Jungian strain in Miss Bodkin's arche- typal criticism beguiles her into stopping short with a formula too generalized to be valuable : " The devil is our tendency to represent in personal ...
... represents " ( pp . 215-239 ) . Unhappily the Jungian strain in Miss Bodkin's arche- typal criticism beguiles her into stopping short with a formula too generalized to be valuable : " The devil is our tendency to represent in personal ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York