Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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... questions produce conflicting and incompatible answers , as they did in the period . The continuum of malevo- lence blurs the question of agency in the play as it blurs the question of the ontological status of " witches . " It ...
... questions produce conflicting and incompatible answers , as they did in the period . The continuum of malevo- lence blurs the question of agency in the play as it blurs the question of the ontological status of " witches . " It ...
Seite 141
... question : ' Your noble son is mad . / Mad call I it , for to define true madness , / What is't but to be nothing else but mad ? ' ( II.ii.92- 4 ) . Above all , it remains a political question . It is important to remember that Hamlet's ...
... question : ' Your noble son is mad . / Mad call I it , for to define true madness , / What is't but to be nothing else but mad ? ' ( II.ii.92- 4 ) . Above all , it remains a political question . It is important to remember that Hamlet's ...
Seite 388
... question soliciting Desdemona's assent ; the force , perhaps , of a Q.E.D. , as if Emilia has just run off an experiment that proves Desdemona's marriage is no more imper- vious than hers to the slings and arrows of outrageous husbands ...
... question soliciting Desdemona's assent ; the force , perhaps , of a Q.E.D. , as if Emilia has just run off an experiment that proves Desdemona's marriage is no more imper- vious than hers to the slings and arrows of outrageous husbands ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York