Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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... madness during the early modern period " be- gan to be secularized , medicalized , psychologized , and ... gendered . " Also concerned with a historical per- spective are scholars including Winfred Overholser and Paolo Valesio , who ...
... madness during the early modern period " be- gan to be secularized , medicalized , psychologized , and ... gendered . " Also concerned with a historical per- spective are scholars including Winfred Overholser and Paolo Valesio , who ...
Seite 13
... madness , as the play presents it , begins to be gender - specific in ways that later stage representations of Ophelia and of female hysterics will exaggerate.31 Her restlessness , agitation , shifts of direction , her " winks and nods ...
... madness , as the play presents it , begins to be gender - specific in ways that later stage representations of Ophelia and of female hysterics will exaggerate.31 Her restlessness , agitation , shifts of direction , her " winks and nods ...
Seite 19
... madness , it encouraged its interrogation and transformation . Although these Shakespeare plays represent madness as a condition to treat , italicize , or eliminate , and although ... Madness , 19 SHAKESPEAREAN CRITICISM , Vol . 35 MADNESS.
... madness , it encouraged its interrogation and transformation . Although these Shakespeare plays represent madness as a condition to treat , italicize , or eliminate , and although ... Madness , 19 SHAKESPEAREAN CRITICISM , Vol . 35 MADNESS.
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York