Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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... lines 80-81 ) . His following remark , " More needs she the divine than the physician " ( act V , scene 1 , line 82 ) , is ambiguous . In one sense , it might imply that she as well as Macbeth is truly bewitched and that the proper ...
... lines 80-81 ) . His following remark , " More needs she the divine than the physician " ( act V , scene 1 , line 82 ) , is ambiguous . In one sense , it might imply that she as well as Macbeth is truly bewitched and that the proper ...
Seite 208
... lines and speaks a total of two and one half lines . When to her first speech , " Come hither , my dear Hamlet , sit by me " , Hamlet replies that he prefers to sit by Ophelia , the Queen is silent until 127 lines later , when , to ...
... lines and speaks a total of two and one half lines . When to her first speech , " Come hither , my dear Hamlet , sit by me " , Hamlet replies that he prefers to sit by Ophelia , the Queen is silent until 127 lines later , when , to ...
Seite 255
... lines ) ; Othello has had not one such line . In this central scene Iago has one soliloquy ( nine lines ) and Othello delivers his first two soliloquies ( twenty - two lines ) . For the remainder of the play Iago speaks only four ...
... lines ) ; Othello has had not one such line . In this central scene Iago has one soliloquy ( nine lines ) and Othello delivers his first two soliloquies ( twenty - two lines ) . For the remainder of the play Iago speaks only four ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York