Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 39
... feel what wretches feel " ( act III , scene 4 , line 35 ) . In other words , he achieves empathy with and compassion for the or- dinary humble people whom he has ruled for many years without understanding their plight . This is given ...
... feel what wretches feel " ( act III , scene 4 , line 35 ) . In other words , he achieves empathy with and compassion for the or- dinary humble people whom he has ruled for many years without understanding their plight . This is given ...
Seite 200
... feel the lack of ceremony attending his father's burial as almost as great a catastrophe as the old man's death itself : his obscure burial- No trophy , sword , nor hatchment o'er his bones , No noble rite nor formal ostentation- Cry to ...
... feel the lack of ceremony attending his father's burial as almost as great a catastrophe as the old man's death itself : his obscure burial- No trophy , sword , nor hatchment o'er his bones , No noble rite nor formal ostentation- Cry to ...
Seite 252
... feel wonder at his poise in the face of such radical self - discovery , and dismay that - partly because of this self - assurance - it is still not complete : he never sees the presumption of his self - righteous- ness . When Cassio ...
... feel wonder at his poise in the face of such radical self - discovery , and dismay that - partly because of this self - assurance - it is still not complete : he never sees the presumption of his self - righteous- ness . When Cassio ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York