Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 81
... critics , such as Paul Jorgensen and Theodore Lidz , have taken a psychological ap- proach to the issue . For Jorgensen , Hamlet is the vic- tim of a pathological grief that manifests itself in his melancholia . The critic diagnoses ...
... critics , such as Paul Jorgensen and Theodore Lidz , have taken a psychological ap- proach to the issue . For Jorgensen , Hamlet is the vic- tim of a pathological grief that manifests itself in his melancholia . The critic diagnoses ...
Seite 237
... critics . First , it has been pointed out that readers and critics tend to identify with the hero , and when they analyse his character they ignore his particular situa- tion and seem to be looking in a mirror . Coleridge , who ...
... critics . First , it has been pointed out that readers and critics tend to identify with the hero , and when they analyse his character they ignore his particular situa- tion and seem to be looking in a mirror . Coleridge , who ...
Seite 362
... critics too there are implicit assumptions about female sexual frailty remi- niscent of the clerical antifeminists of the Middle Ages.14 This male critical bias in fact is a historical echo of the antifeminist - ultimately antisexual ...
... critics too there are implicit assumptions about female sexual frailty remi- niscent of the clerical antifeminists of the Middle Ages.14 This male critical bias in fact is a historical echo of the antifeminist - ultimately antisexual ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York