Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 70
... body politic , his intrusion into her private room also threatened the sacred , gendered body of the royal virgin . Just as the subject's identity was enabled by his inward and outward adher- ence to the prescriptions of authority , the ...
... body politic , his intrusion into her private room also threatened the sacred , gendered body of the royal virgin . Just as the subject's identity was enabled by his inward and outward adher- ence to the prescriptions of authority , the ...
Seite 76
... body of the play instead of on the body of the villain . Indeed , Hamlet's strange business with the body of Polonius replaces what is in the source stories the actual dismemberment of the spying minis- ter . In the very brief scene 4.2 ...
... body of the play instead of on the body of the villain . Indeed , Hamlet's strange business with the body of Polonius replaces what is in the source stories the actual dismemberment of the spying minis- ter . In the very brief scene 4.2 ...
Seite 142
... body as Claudius cynically admits : ' our whole kingdom ... contracted in one brow of woe ' ( I.ii.3-4 ) . Ironically , the trope of the ' body politic ' is here in- voked by Claudius as a means of shoring up his power . James used it ...
... body as Claudius cynically admits : ' our whole kingdom ... contracted in one brow of woe ' ( I.ii.3-4 ) . Ironically , the trope of the ' body politic ' is here in- voked by Claudius as a means of shoring up his power . James used it ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York