Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 71
Seite 4
... begins to notice those around him , as if in releasing his woes he finally lives through them and can look elsewhere . He begins to take care of the Fool , to worry about his homeless subjects . His language has a noble balance to it ...
... begins to notice those around him , as if in releasing his woes he finally lives through them and can look elsewhere . He begins to take care of the Fool , to worry about his homeless subjects . His language has a noble balance to it ...
Seite 198
... begins with the premise that the Prince is mad . Although Claudius and Gertrude are both prepared to grant him that , Polonius must embellish the idea - can no more put it aside than if it were glued to him : I will be brief . Your ...
... begins with the premise that the Prince is mad . Although Claudius and Gertrude are both prepared to grant him that , Polonius must embellish the idea - can no more put it aside than if it were glued to him : I will be brief . Your ...
Seite 280
... begins to fall when and only when he begins to deny his own intrinsic self - worth , when he chooses Iago over Desdemona and Iago's arguments over her re- buttals.41 Once this Venetian weltanschauung successfully tempts its adherents ...
... begins to fall when and only when he begins to deny his own intrinsic self - worth , when he chooses Iago over Desdemona and Iago's arguments over her re- buttals.41 Once this Venetian weltanschauung successfully tempts its adherents ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York