Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 169
... audience to indulge the instinctive desire to requite violence with violence . Setting aside its panoply of precepts , the audience could feel what it must , not what it ought to feel . In the Elizabethan period , to be sure , the truer ...
... audience to indulge the instinctive desire to requite violence with violence . Setting aside its panoply of precepts , the audience could feel what it must , not what it ought to feel . In the Elizabethan period , to be sure , the truer ...
Seite 170
... audience suspending its belief in law and mercy . And yet a swingeing revenge- play has its own emotional satisfaction for the audi- ence . Vengeance is exacted from evil - doers by a man whose wrongs invoke pity ; in enabling an audience ...
... audience suspending its belief in law and mercy . And yet a swingeing revenge- play has its own emotional satisfaction for the audi- ence . Vengeance is exacted from evil - doers by a man whose wrongs invoke pity ; in enabling an audience ...
Seite 174
... audience as Hieronimo moves from excessive grief to rage to madness to crafty intrigue to demonic barbarism . Unfortunately , there are several contradic- tions " ( pp . 51-52 ) . This speech is one of them . Though she doubts that ...
... audience as Hieronimo moves from excessive grief to rage to madness to crafty intrigue to demonic barbarism . Unfortunately , there are several contradic- tions " ( pp . 51-52 ) . This speech is one of them . Though she doubts that ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York