Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 122
... anger and thus avoiding sorrow . A similar linking of choler and grief occurs in an earlier work , Coeffeteau's A Table of Humane Passions : " we must remember that Choler is also full of griefe and bitternesse , for that it propounds ...
... anger and thus avoiding sorrow . A similar linking of choler and grief occurs in an earlier work , Coeffeteau's A Table of Humane Passions : " we must remember that Choler is also full of griefe and bitternesse , for that it propounds ...
Seite 123
... Anger . . . . 923 The obvious therapy for melancholia , then , is to con- vert grief to its real , but disguised , source : anger.24 The psychologist Timothy Bright cautiously prescribes this remedy , though only after first ...
... Anger . . . . 923 The obvious therapy for melancholia , then , is to con- vert grief to its real , but disguised , source : anger.24 The psychologist Timothy Bright cautiously prescribes this remedy , though only after first ...
Seite 125
... anger ? Is anger against oneself really better than anger against others ? If we so conclude , we must condemn Hamlet and his final , healthy self in a world worthy of anger . Hamlet in the last scene is angry , furiously angry . The ...
... anger ? Is anger against oneself really better than anger against others ? If we so conclude , we must condemn Hamlet and his final , healthy self in a world worthy of anger . Hamlet in the last scene is angry , furiously angry . The ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York