Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 355
... Desdemona's faith in the power of virtue to triumph may foreshadow the play's skepticism concerning Providence as well as her psychological naïveté . Although Othello might be particularly prone to in- security because of the racial ...
... Desdemona's faith in the power of virtue to triumph may foreshadow the play's skepticism concerning Providence as well as her psychological naïveté . Although Othello might be particularly prone to in- security because of the racial ...
Seite 363
... Desdemona is a " potential whore " ? ) Moreover , in Shakespeare's times as in his plays a woman not " unwavering in her faith- fulness and loyalty " to her husband invariably was dismissed as a whore : " A man who is unchaste loses ...
... Desdemona is a " potential whore " ? ) Moreover , in Shakespeare's times as in his plays a woman not " unwavering in her faith- fulness and loyalty " to her husband invariably was dismissed as a whore : " A man who is unchaste loses ...
Seite 388
... Desdemona by Iago in 2.1 and by Emilia in 4.3 . It is the game Desdemona refuses to play , and her anomalous marriage to Othello promises at first to flout its rules . After Othello finds a use for the game , Desdemona continues to ...
... Desdemona by Iago in 2.1 and by Emilia in 4.3 . It is the game Desdemona refuses to play , and her anomalous marriage to Othello promises at first to flout its rules . After Othello finds a use for the game , Desdemona continues to ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York