British Women Writers, 1914-1945: Professional Work and FriendshipAshgate, 2006 - 184 Seiten Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates. |
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Seite 82
... fantasy of female pleasure . But for this to mean that she cannot go to Russia betrays the ' panic over love ' that their friendship raises . Central to this panic is the spectre of lesbianism against which both Jameson's and Brittain's ...
... fantasy of female pleasure . But for this to mean that she cannot go to Russia betrays the ' panic over love ' that their friendship raises . Central to this panic is the spectre of lesbianism against which both Jameson's and Brittain's ...
Seite 135
... fantasy of desire that is framed in response to Benson's meeting with Naomi Mitchison at Varengeville , and influences a fantasy of female friendship composed by Winifred Holtby in her novel The Land of Green Ginger published in 1927 ...
... fantasy of desire that is framed in response to Benson's meeting with Naomi Mitchison at Varengeville , and influences a fantasy of female friendship composed by Winifred Holtby in her novel The Land of Green Ginger published in 1927 ...
Seite 143
... fantasy of desire that is Goodbye , Stranger becomes in Holtby's novel a far tamer fantasy of female friendship despite its connections with Sapphic modernism . Nevertheless , where the ejection of fantasy from Benson's novel produces ...
... fantasy of desire that is Goodbye , Stranger becomes in Holtby's novel a far tamer fantasy of female friendship despite its connections with Sapphic modernism . Nevertheless , where the ejection of fantasy from Benson's novel produces ...
Inhalt
Womens Friendship in InterWar Britain | 9 |
a Trade in Work and Desire | 37 |
A Romance of Business 51 1 | 51 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
appears associated attempt became become biography British Brittain central Chapter China collection connections construction context continued correspondence critical cultural dated described desire diary discourses discussion early effect emotional erotic evidence exchange fact feel female feminist fiction friendship further History Holtby's husband important intense interest Italy Jameson Lady Rhondda later Laura lesbian letter literary lives London look Macmillan male marriage material meeting Naomi Mitchison novel observes passionate period pleasure poem poetry political possibility present produced professional provides published quoted Radclyffe Hall reference relation relationship remained repr representation represented reveals Review romantic seen sexual significant Specifically Stella Benson Storm Jameson story Testament Tide University Press Vera Brittain Virago Winifred Holtby woman women writers women's friendship World writing written wrote