Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 229
... young man could write the poem himself simply by concen- trating on his own reflection , since that " overgoes " anything which the poet's blunt invention can produce . Then the couplet rounds off the whole argument by repeating the young ...
... young man could write the poem himself simply by concen- trating on his own reflection , since that " overgoes " anything which the poet's blunt invention can produce . Then the couplet rounds off the whole argument by repeating the young ...
Seite 248
... young manhood ; the intensity of the address itself raises questions of " Willie Hughes . " 964 When we look at the long tradition of sonnets to men ( Petrarca to Colonna and Sennuccio ; Mambo and Della Casa to their heroic patrons and ...
... young manhood ; the intensity of the address itself raises questions of " Willie Hughes . " 964 When we look at the long tradition of sonnets to men ( Petrarca to Colonna and Sennuccio ; Mambo and Della Casa to their heroic patrons and ...
Seite 331
... young gentle- men are headed for the Court of the Emperor at Milan . Their exposure to " experience " and to " travel " will be their education . And so the comedy has as its base a very realistic situation : ' the need for young ...
... young gentle- men are headed for the Court of the Emperor at Milan . Their exposure to " experience " and to " travel " will be their education . And so the comedy has as its base a very realistic situation : ' the need for young ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young