Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 29
... speech to tell Troi- lus's tale of feminine treachery rather than her own story of male violence . Discursive strategies recuper- ate the subversive potential of the speech , turning Cressida's analysis of male desire into a source of ...
... speech to tell Troi- lus's tale of feminine treachery rather than her own story of male violence . Discursive strategies recuper- ate the subversive potential of the speech , turning Cressida's analysis of male desire into a source of ...
Seite 30
... speech is delivered at a moment of in- tense emotion , that emotion is mediated by rhymed couplets which echo those of the earlier speech . This formal repetition implies a continuity of character that may undermine Troilus's ...
... speech is delivered at a moment of in- tense emotion , that emotion is mediated by rhymed couplets which echo those of the earlier speech . This formal repetition implies a continuity of character that may undermine Troilus's ...
Seite 179
... speech , are above all meant to justify his thirst for revenge . His allega- tions that Antonio has disgraced him , laughed at him , and scorned his nation only because he is a Jew are lopsided . He is abused chiefly because he is a ...
... speech , are above all meant to justify his thirst for revenge . His allega- tions that Antonio has disgraced him , laughed at him , and scorned his nation only because he is a Jew are lopsided . He is abused chiefly because he is a ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young