Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 61
Seite 54
... speak between the change of man and boy , With a reed voice , '60 implying one harsher than her normal speak- ing voice . The natural transition from playing women to playing men is at the breaking of the voice , but boys ' voices broke ...
... speak between the change of man and boy , With a reed voice , '60 implying one harsher than her normal speak- ing voice . The natural transition from playing women to playing men is at the breaking of the voice , but boys ' voices broke ...
Seite 105
... speak about and to Shylock , and the way they treat him— speak self - condemingly for themselves . Other critics have argued that Christian virtues are emphasized in the play . Raymond B. Waddington ( 1977 ) , for ex- ample , contrasted ...
... speak about and to Shylock , and the way they treat him— speak self - condemingly for themselves . Other critics have argued that Christian virtues are emphasized in the play . Raymond B. Waddington ( 1977 ) , for ex- ample , contrasted ...
Seite 380
... speak with unprecedented self - assurance about her own beauty : " What should it be that he respects in her / But I can make respective in myself " ( IV.ii.194-95 ) . She also addresses Silvia's portrait in tones of vengeful anger not ...
... speak with unprecedented self - assurance about her own beauty : " What should it be that he respects in her / But I can make respective in myself " ( IV.ii.194-95 ) . She also addresses Silvia's portrait in tones of vengeful anger not ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young