Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 66
... says : Thou shalt present me as an eunuch to him . ... for I can sing , And speak to him in many sorts of music That will allow me very worth his service . ( I.ii.56-59 ) Not long ago some Shakespeare scholars suggested that at one ...
... says : Thou shalt present me as an eunuch to him . ... for I can sing , And speak to him in many sorts of music That will allow me very worth his service . ( I.ii.56-59 ) Not long ago some Shakespeare scholars suggested that at one ...
Seite 170
... says to Portia , " You have a noble and a true conceit / Of godlike amity . " This last phrase , godlike amity , adumbrates the ideal view of society as the liv- ing body of Christ , as the City of God : The all and the one are the same ...
... says to Portia , " You have a noble and a true conceit / Of godlike amity . " This last phrase , godlike amity , adumbrates the ideal view of society as the liv- ing body of Christ , as the City of God : The all and the one are the same ...
Seite 227
... says she not she is unjust ? And wherefore say not I that I am old ? O , love's best habit is in seeming trust , And age in love loves not to have years told . Therefore I lie with her and she with me , And in our faults by lies we ...
... says she not she is unjust ? And wherefore say not I that I am old ? O , love's best habit is in seeming trust , And age in love loves not to have years told . Therefore I lie with her and she with me , And in our faults by lies we ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young