Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite vii
... present day derives from the hundreds of periodicals and books excerpted for the series . Students and teachers at all levels of study will benefit from SC , whether they seek information for class discussions and written assignments ...
... present day derives from the hundreds of periodicals and books excerpted for the series . Students and teachers at all levels of study will benefit from SC , whether they seek information for class discussions and written assignments ...
Seite 223
... present orderless order , invite rear- rangement . All the rearrangers are right . Aleatory com- position allowing a performer re - creative latitude- is not after all a modern invention . It was the custom- ary proceeding for much ...
... present orderless order , invite rear- rangement . All the rearrangers are right . Aleatory com- position allowing a performer re - creative latitude- is not after all a modern invention . It was the custom- ary proceeding for much ...
Seite 296
... present tense in which activities in nature are all de- scribed is not located in any temporal continuum ex- tending beyond the formal verbal order of the poem . The events on which the poet bases his observations- changes of weather ...
... present tense in which activities in nature are all de- scribed is not located in any temporal continuum ex- tending beyond the formal verbal order of the poem . The events on which the poet bases his observations- changes of weather ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young