Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 272
... nature's " one " hand , it remains that nature's other hand may soon grab a brush and paint again . In the first instance sexual allure is naturally or platonically absolute ; in the second it is part of a con- tinual flux of ...
... nature's " one " hand , it remains that nature's other hand may soon grab a brush and paint again . In the first instance sexual allure is naturally or platonically absolute ; in the second it is part of a con- tinual flux of ...
Seite 286
... nature and man , out of the meta- phorical reduction of the human world to the natural or rather the reading of the natural world in terms of its human consequences . The violets and the human hair are juxtaposed , as if by association ...
... nature and man , out of the meta- phorical reduction of the human world to the natural or rather the reading of the natural world in terms of its human consequences . The violets and the human hair are juxtaposed , as if by association ...
Seite 288
... nature that is pure process and thus absolute in its transience controls completely . It is the nature of the influencing stars and the maddeningly " selfsame sky " that equally cheer and check ( and how effective the alliteration that ...
... nature that is pure process and thus absolute in its transience controls completely . It is the nature of the influencing stars and the maddeningly " selfsame sky " that equally cheer and check ( and how effective the alliteration that ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young