Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 71
Seite 3
... heroines are personally vulner- able , as are any of the non - villains who take up dis- guises , but they have a kind of faith - in time , in them- selves , in biology - that anchors them , making the existential plunge into the self a ...
... heroines are personally vulner- able , as are any of the non - villains who take up dis- guises , but they have a kind of faith - in time , in them- selves , in biology - that anchors them , making the existential plunge into the self a ...
Seite 6
... heroines of the last plays , on the other hand , represent an ideal , curative maternity . Loved by fathers , husbands , and friends till a great crisis deprives them of all three , in serene self - knowledge they survive , ulti- mately ...
... heroines of the last plays , on the other hand , represent an ideal , curative maternity . Loved by fathers , husbands , and friends till a great crisis deprives them of all three , in serene self - knowledge they survive , ulti- mately ...
Seite 156
... heroines in his second play to use the motif of a boy heroine in male disguise , none of them became the Lylian page of Two Gentle- men . Multiplying the cross - dressed heroine in a single work called attention to its artificiality as ...
... heroines in his second play to use the motif of a boy heroine in male disguise , none of them became the Lylian page of Two Gentle- men . Multiplying the cross - dressed heroine in a single work called attention to its artificiality as ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young