Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 93
Seite 267
... figure is a priest or an analyst . In a legal confession he ( only rarely she ) is a policeman or a judge . If Shakespeare's sonnets are likewise confes- sions , who is the authority figure ? Who listens as the poet speaks about his ...
... figure is a priest or an analyst . In a legal confession he ( only rarely she ) is a policeman or a judge . If Shakespeare's sonnets are likewise confes- sions , who is the authority figure ? Who listens as the poet speaks about his ...
Seite 370
... figure from Greek mythology to counter our figure Narcissus , taken from the same source . We easily see the contrast in developmental and erotic terms : Narcissus chooses himself as object , while Endymion chooses the woman who tends ...
... figure from Greek mythology to counter our figure Narcissus , taken from the same source . We easily see the contrast in developmental and erotic terms : Narcissus chooses himself as object , while Endymion chooses the woman who tends ...
Seite 371
... figure of the puppet show , but also backward to the movement of planets : Valentine is the sun to Silvia's moon , and only by setting can he escape her affect.14 When Silvia agrees with Valentine that the lines he has written were ...
... figure of the puppet show , but also backward to the movement of planets : Valentine is the sun to Silvia's moon , and only by setting can he escape her affect.14 When Silvia agrees with Valentine that the lines he has written were ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young