Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 17
... father , marrying you " ( III.iii.206 ) , implying that Desdemona is ipso facto a practiced adulteress . And Brabantio himself sounds the same note : Look to her , Moor , if thou hast eyes to see : She has deceived her father , and may ...
... father , marrying you " ( III.iii.206 ) , implying that Desdemona is ipso facto a practiced adulteress . And Brabantio himself sounds the same note : Look to her , Moor , if thou hast eyes to see : She has deceived her father , and may ...
Seite 18
... father is a kind of rhetorical advantage to her slanderer : because Don John can name two men who have " had " Hero , the phrase " every man's Hero " seems to confirm , not just to in- troduce , the idea of her duplicity . And Leonato ...
... father is a kind of rhetorical advantage to her slanderer : because Don John can name two men who have " had " Hero , the phrase " every man's Hero " seems to confirm , not just to in- troduce , the idea of her duplicity . And Leonato ...
Seite 119
... father's house ; Launcelot's line “ it is a wise father that knows his own child " certainly evokes the entire theme of father - child relationships in the play , both Shylock's blindness about Jessica and the far - sightedness of Portia's ...
... father's house ; Launcelot's line “ it is a wise father that knows his own child " certainly evokes the entire theme of father - child relationships in the play , both Shylock's blindness about Jessica and the far - sightedness of Portia's ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young