Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 108
... begins as a romantic love story therefore turns into tragedy , but there is a logic in this progression , for each of Medea's crimes , directed against the ties of kinship , is a repetition of her original betrayal of her father in ...
... begins as a romantic love story therefore turns into tragedy , but there is a logic in this progression , for each of Medea's crimes , directed against the ties of kinship , is a repetition of her original betrayal of her father in ...
Seite 228
... begin by wondering why Shakespeare's sonnets should be so unpopular . Despite their being the only collec- tion of poems ... begins as early as the first line , but , and this is a cru- cial difference between Shakespeare and his contem ...
... begin by wondering why Shakespeare's sonnets should be so unpopular . Despite their being the only collec- tion of poems ... begins as early as the first line , but , and this is a cru- cial difference between Shakespeare and his contem ...
Seite 293
... begins with three poems spoken by a lover struggling to find a literary language in which to write about his ... begin their sequences with poems explicitly " about " writing love poetry : Spenser's lover addresses his completed book of ...
... begins with three poems spoken by a lover struggling to find a literary language in which to write about his ... begin their sequences with poems explicitly " about " writing love poetry : Spenser's lover addresses his completed book of ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young